The painting,
in your hands.
Explore painted ribbons, layered time and ways to encounter the original paintings. Twenty-two active studies remain available, with two experiments set aside.
Tidal Silk
A detail of Tidal Oval unfolds into broad painted ribbons. Open the weave, turn the view, and let the colour move through space.
Meridian Echo
Red Meridian holds a few moments of its own past. Bend the present, pause, and weave the stored colours differently.
Image studies.
The earlier assembly, retained pigment and colour landscape.
Spatial studies.
The earlier painted passage and glass bloom.
Painted Passage
Step inside the painted curve. Move through monumental folds and open the next gateway with your hand.
Prism Bloom
A curl becomes glass. Turn the lenses, watch the colour refract, and press to open the assemblage.
Earlier experiments.
Liquid colour, moving grains and a painted sculpture.
Liquid Loom
Colour becomes a wet surface. Bend the ribbons, catch a reflection, and press to leave a wake.
Pigment Storm
Let the painting come apart. Moving grains gather into a curl, scatter into a current, and answer your hand.
Folded Worlds
Walk around a painted curve. An open sculpture turns in space; its folds, gold seam and shadows shift with your view.
Material studies.
The earlier relief, paper and evening experiments.
Relief Garden
Give the colour a little weight. Raise the forms and move the light through a sculpted garden.
Paper Current
Let the painted curves become cut paper. Separate the layers, turn the curl, and move the seed.
Nocturne in Blue
An evening with the blue curl. Open its silhouette, shift the warm centre, and let a gold line answer.
Following the contour.
The first three native vgpu interpretations.
Gilded Contour
Turn the profile, open the blue curl, and catch the gold. A response to Quiet Face I.
Riverfold
Widen the river, lean the stem, and lift the pink. Inspired by Tidal Oval and Garden Before Noon.
Vermilion Exchange
Move the sun, close the crescent, and extend the blue. A dialogue between Red Meridian and The Listener.
Ways of looking.
The three photograph-led website concepts.
Chromatic Laboratory
Same painting. Different surroundings. Change the colour around a work and notice what comes forward.
The Long Look
One painting at a time. Follow a line, look at an edge, or read the note behind the work.
Daylight Chamber
Morning, noon, dusk. Move the room’s light while the painting keeps its own colours.
The first explorations.
Three digital compositions inspired by the paintings.
Chromatic Score
Kandinsky-like geometry meets the warm red, orange and curved orbits of Red Meridian.
Tidal Forms
Flowing ribbons, nested curves and colour from Tidal Oval, Garden Before Noon and The Listener.
Quiet Relief
An oval, shallow sculptural layers and a light you can move. A closer conversation with Quiet Face I.
From Iana’s paintings.
The original forms remain the reference: ovals, flowing profiles, inset shapes, and colours held in balance. Click a photograph to look closer.
Set aside · 2 studies
Living Garden and Infinite Garden have been removed from the active comparison after artist feedback. Their source and direct links are preserved.